The farther he goes the more good it does me. I don’t want philosophies, tracts, dogmas, creeds, ways out, truths, answers, nothing from the bargain basement. He is the most courageous, remorseless writer going and the more he grinds my nose in the shit the more I am grateful to him. He’s not f---ing me about, he’s not leading me up any garden path, he’s not slipping me a wink, he’s not flogging me a remedy or a path or a revelation or a basinful of breadcrumbs, he’s not selling me anything I don’t want to buy — he doesn’t give a bollock whether I buy or not — he hasn’t got his hand over his heart. Well, I’ll buy his goods, hook, line and sinker, because he leaves no stone unturned and no maggot lonely. He brings forth a body of beauty. His work is beautiful.
-- Harold Pinter
Samuel Beckett
is sui generis...He has given a voice to the decrepit and maimed and inarticulate,
men and women at the end of their tether, past pose or pretense, past claim
of meaningful existence. He seems to say that only there and then, as metabolism
lowers, amid God’s paucity, not his plenty, can the core of the human condition
be approached... Yet his musical cadences, his wrought and precise sentences,
cannot help but stave off the void... Like salamanders we survive in his
fire.
|
[ On-line Texts ] [ On-line Bookstores ] [ Film and Video ]
[ Audio ] [ Beckett Festivals and Events ]
[ 2006 Centennial Festivities ]
[ The End ]
in the Audio section.)"An Outsider in His Own Life". The Last Modernist by Anthony Cronin (1997). Reviewed by Morris Dickstein. Read Chapter 1 here or here.
Endgame, reviewed by Brooks Atkinson (1958): "Don't expect this column to give a coherent account of what--if anything--happens. Almost nothing happens."
Happy Days, reviewed by Howard Taubman, 1961.
Happy Days in Boston, 1997. Reviewed by
The Boston Phoenix.
Hatchet job in the Times Book Review. One Joseph
Epstein ("Visiting professor, Northwestern Univ.") lambastes Beckett and two books about him by scholars Hugh Kenner and A. Alvarez,
November 25, 1973.
From the review: “‘[Beckett writing]: I prefer these letters not to be republished, and quite frankly, dear Alan, I do not want any of my letters to anyone to be published anywhere, either in the petit pendant or the long apres.’ No author better served? This whole book is a betrayal of a wish that could scarcely have been more clearly stated.”
: Millennium Poet Laureate, a centennial salute to Sam and an appreciation of his works by Brustein, American
playwright, stage director, actor, author, adaptor of plays, past dean of the Yale Drama School, professor of English at Harvard, drama critic for the New Republic
and recipient of many awards.
on-line magazine: "Picking the brains of popular culture"
It was almost certain that Sam's centenary would catch Eustace's monocle, and it did. Here critic Benjamin Kunkel,
in a wide ranging piece entitled Sam I Am: Beckett's private purgatories, touches on his life; his family; works; trilogy; Godot; travels; psychiatrist; epiphany and the “glib
formulation...of the Nobel Prize committee [alleging that] Beckett ‘has transmuted the destitution of modern man into his exaltation’.” A splendid New Yorker chef d'œuvre.
couldn't resist taking a stab
at it: Scholars Discover 23 Blank Pages That May As Well Be Lost Samuel Beckett Play. Probably deserves a
rating but not quite a
.
, to some
a legendary literary quarterly. Critiqued by Booklist, the review journal of the American Library Association, as "a superb memoir".
| “The utter skepticism and despair about relationships in general and sexuality in particular which [Beckett] has explored throughout his life has had as its counterpoint his marriage, which has lasted forty years. But lest one suspect that the continuity and comfort of marriage had tilted the scales so far that the dream of succession had taken root in his mind, ‘No,’ he replied, when I asked him if he had ever wanted children, ‘that's one thing I'm proud of.’” |
After World War II, literary critics in France, for whom war memories were not only painful but also embarrassing given the collaboration of the Vichy government with the Nazis, preferred to read Beckett as addressing "man's alienation" and the "human condition" rather than anything as specific as everyday life in the years of the Resistance. For Beckett, those years leading up to his most productive period had been an elaborate war nightmare — for instance here's where he had to live for six months — a nightmare Beckett never wrote about directly although allusions to it are everywhere in his texts of the postwar decade. The word "war" itself appears nowhere in Godot or in those strange lyrical fictions of 1945-1946 which were published in The Expelled, The Calmant and The End and, in 1955, in Stories and Texts for Nothing. But the very absence of the word has an odd way of insuring its prominence in these stories.
Mr. Parfitt selects a few of Samuel Beckett's basic concerns, viz., failure; inadequacy; misfortune; illness; pain and/or suffering; isolation; impotence; disillusionment; unrelenting time and, of course, death, and then he goes on to explain various ways that Sam “transmutes the destitution of modern man into his exaltation” (Nobel Prize citation) by, e.g., never quite despairing but always ‘going on’ against insurmountable odds; living life ‘here and now’ and ignoring the unknown ‘beyond’; continuing the (futile) search for hope; turning any bothersome ‘inner fire’ into a burning passion in order to avoid being consumed by it and, of course, “Try again. Fail again. Fail better.”A neatly packaged introduction to Beckett.
What, if anything, is the meaning of life? What defines "the self"? What truly is the definition of human existence? Here are three 20th century authors' conceptions, as expressed in:
- A Retrievable Essence. Remembrance of Things Past by Marcel Proust. The self is, at bottom, an essence comprised of layers of hidden memories reflecting past experiences.
- Nothing Matters. The Stranger by Albert Camus. The meaning of life is determined by the event happening at present.
- They Do Not Move. Waiting for Godot by Samuel Beckett. Human experience is continually waiting for the solution to the problem to present itself.
The Theatre of the Absurd
- Introduction to Absurd Drama by Martin Esslin, Penguin Books, 1965.
- Chapter 1 (partial), Samuel Beckett: The search for the self in Theatre of the Absurd by Martin Esslin, Doubleday & Co., 1961.
- THE ABSURD......AND BECKETT..a brief encounter by Serge Tampalini, Murdoch Univ., Perth, Western Australia.
- Theatre of the Absurd: The West and the East by Jan Culík, School of Modern Languages and Cultures, Univ. of Glasgow. A brief analysis of post-World War II European theatre on both sides of the ideological divide.
The Absurdity of Samuel Beckett by Eva Navratilova, Center for Comparitive Cultural Studies, Palacky Univ., Olomouc, Czech Rep.
The feeling of Absurdity as a literary-creative motivation connecting a number of writers and philosophers, and which is evident in Godot, Endgame, Happy Days and Krapp's Last Tape, is dealt with here.
Master's degree thesis: Samuel Beckett's Radio Plays: Music of the Absurd by Stefan-Brook Grant, Department of British and American Studies, University of Oslo.
An erudite thesis analyzing Beckett's radio plays.Introduction
Chapter 1: Background
Chapter 2: All That Fall
Chapter 3: Embers
Chapter 4: Words and Music and Cascando
An Appreciation of Samuel Beckett. A rather perceptive piece in a rather small newspaper. Rick Lopez in the Erie (Pennsylvania) Times-News.
With his fiction, Beckett straps us into the front seat of a roller-coaster mind with fifty-mile hills, explosive drops, impossible curves, and tracks that splinter and scream with the constant threat of disaster. All this exhilaration, and beautiful prose to boot. -- Rick Lopez
Wham, bam! Thank you, Sam!
EVERYTHING YOU'VE ALWAYS WANTED TO KNOW ABOUT WAITING FOR GODOT BUT...
by Penelope Merritt, Community Center for the Performing Arts, Eugene, Oregon.Perhaps Penelope feels that the "ungagging" of Beckett and Waiting for Godot is long overdue. In any case, she has posted, utilizing her own analysis and notes drawn from the books of dozens of Beckett scholars, an awesome, almost line-by-line explanation and interpretation of Godot. Included is the entire text of the play (Acts 1 and 2) with reciprocal links to the notes. In addition, most all of her pages are enhanced by some lovely and historical images -- and a few gory ones of the crucifixion.
From her introduction: "The following links point to notes that I prepared for a January 2000 college production of Godot in the Pacific Northwest. They were primarily intended for student actors, but I attempted to include information that would be of interest to those who found the play interesting as a purely academic pursuit, whether as a scholar of French or English Literature, the history of Theatre or even the cultural resonances of Existentialist philosophy..."
Traffic of our stage: Why Waiting for Godot? by Normand Berlin in The Massachusetts Review. A lengthy and insightful essay delving into many aspects of the Godot phenomenon.
Waiting for Godot and Endgame: Theatre as Text by Michael Worton. This is a chapter from the book, "The Cambridge Companion to Beckett" (An invaluable addition to Beckett criticism ... an outstanding book, faultlessly edited and superbly presented... —Independent on Sunday). Prof. Worton presents here an extensive and erudite analysis of Beckett's plays and of how the ideas of the many writers that he has drawn upon are both interwoven into his texts or are often dismissed by him.
~~ Approaching 'Waiting for Godot' ~~ by Stacy Tartar Esch, West Chester University of Pennsylvania. An interesting asymptotic approach because: "All action in Waiting for Godot is mere distraction; it doesn't lead anywhere other than to the central awareness with which it began, though by the play's end we see it all the more distinctly: Nothing to be done."
Stacy enlivens his treatise with a few lines from the works of Sam's "dour pessimistic muse", Arthur Schopenhauer:"Life is a task — drudgery filled with universal need, ceaseless cares, constant pressure, endless strife, compulsory activity requiring extreme exertion of all the powers of body and mind. The tumult is indescribable. And the ultimate aim of it all, what is it? To sustain an ephemeral and tormented individual through a short span of time, in the most fortunate case with endurable want and comparative freedom from pain...and to reproduce the race and its strivings. In this evident disproportion between the trouble and the reward, the will to live appears to us from this point of view, if taken objectively, as a fool's paradise, or subjectively, as a delusion wherein everyone living works with the utmost exertion of his strength for something that is of no value. And when we consider it more closely, we shall find that this will to live is rather a blind pressure, a tendency entirely without ground or motive."
At his most lovable, Schopenhauer once called Hegel “a commonplace, inane, loathsome, repulsive and ignorant charlatan”.
Martin Esslin covers a lot of Godot ground in Waiting for Godot -- Western and Korean
Essay on Waiting for Godot by Jak Peake, Hewett School, Norwich, England. Very fine.
Essay on Waiting for Godot by Michael Sinclair
Beckett's Godot: "A bundle of broken mirrors" by Robert D. Lane
"Tie Me Up, Tie Me Down: Ropes, Belts and Cords in Waiting for Godot" by Roger Schonfeld, Yale Univ.
Samuel Beckett was awarded the Nobel Prize in literature, but perhaps he should have also received one in another category: physics. In fact, some would contend that he broke more ground in the field of time and space in the real world (human) sense than any physicist squinting into a microscope or astronomer peering into the heavens. Here are three papers which might present some evidence in support of such an preposterous conclusion.
- The Concept of Time and Space in Beckett's Dramas Happy Days and Waiting for Godot by Dong-Ho Sohn, Hankuk University of Foreign Studies, Seoul, Korea.
- Space, Time, and the Self in Beckett's Late Theatre by David Pattie, University College Chester, Cheshire County, England.
- The Meaning of Time as Depicted in Waiting for Godot by Jeffrey Philip Bigham, Princeton Univ.
A Thought (or two) by Jim Nastos, Univ. of Alberta, on Lucky's "thought" after being commanded by Pozzo to "Think, pig!" A nice analysis written by a first year university English class student who found some of Beckett's writings to be a "cryptographic challenge".
The parallels between Christ and Lucky in Waiting for Godot. By Greg Tigani, Yale Univ.
The Second Coming and Mr. Godot by Jeffrey Miller. A paper written for a Contemporary Drama class.
Extremely short book review of Godot by "Michael JR Jose", a Top (six star) Scholar (219 reviews) at Allreaders.com, who alleges that the "plot for Godot" [sic] is taken from Macbeth, and that "Shakespeare says in thirty-eight words what Beckett takes a whole play to say." The 38 words? Obviously: Life's but a walking shadow, a poor player, that struts and frets his hour upon the stage and
A simplistic notion by Michael JR? He might just be right.
then is heard no more. It is a tale told by an idiot, full of sound and fury, signifying nothing.
Teaching an Anti-Christian Text from a Christian Perspective: The Case of S. Beckett's "Waiting for Godot" by Gatsinzi Basaninyenzi, Solusi College, Bulawayo, Zimbabwe.
Beckett and Brecht: Keeping the Endgame at a Distance by Jodi Hatzenbeller. A comparative analysis of Brechtian theatre and the themes of Endgame.
So many people have requested a copy of this unpublished article that I have decided to make it generally available via the web. That's the actual title of this web page, and the article itself is called Beckett, Duchamp and Chess in the 1930s by Andrew Hugill, De Montfort University, Leicester, England. In Section 2 he posits some fascinating and plausible connections between Endgame and the real chess, although some of them are a bit of a stretch.
But Not In the Eye: Becketts comedy, by Fintan O'Toole.
Three chapters from The Plays of Samuel Beckett by Eugene Webb.
Reading Beckett's Fiction by R.M. Berry in Context, A Forum for Literary Arts and Culture, Number 1, 1999.
Why does Beckett write [the way he does]? In 1949, Beckett tried to describe a new kind of artistic problem, one in which skill and knowledge and talent had become liabilities and where the task was no longer to do something as well or better than in the past, but rather to meet the obligations of art in full acknowledgement of the absence of anything artistically to be accomplished. Berry attempts to help in understanding some puzzling characteristics of Beckett's fiction in the context of Molloy.
[ Index ]
Knowing me, knowing you. Novelist Keith Ridgway re-discovers Beckett's seminal work, Mercier and Camier, and is thrilled — despite other scholars' and crritics' negative judgments — by its early indications of Sam's epiphany, at age forty: "Put simplistically, he realised that his writing future lay not in the firm ground he knew over his shoulder, but in the darkness facing him, about which he knew nothing. It was time to write from the wordless inside. He would use his confusion and uncertainty where he had previously used his intellect and his wit." The Guardian, Jul. 19, 2003.
From the Princess Grace Irish Library (Monaco): The Beckett Trilogy by Karen Mills.
"Plagued by a depressive condition, left on the unsteady ground of his own uncertainties, Beckett came to believe in an utterly black, utterly futile existence. Disturbing that such a belief is to countenance, it was the sole thought that he had any confidence in. This deeply prejudiced view is manifest in varying degrees in the triumvirate that is The Trilogy."
The Narrative Paradox: The virus of nothingness in Samuel Beckett's Watt by György Dragomán, School of English and American Studies, Eötvös Loránd University, Budapest.
After a prefacing caveat from Hugh Kenner that "the [literary] analyst whose stock-in trade is his skill at putting his author's matter before his reader in pithier or less redundant language will find no purchase [with Watt]", Prof. Dragomán nonetheless makes a valiant effort to do just that, with a modicum of success.
Samuel Beckett's Postmodern Fictions by Brian Finney, California State Univ., Long Beach.
Lucky's Bones: A Sense of Starvation in Watt, Waiting for Godot and Oliver Twist, by John Robert Keller in PSYART: A Hyperlink Journal for Psychological Study of the Arts. A shrink psychoanalyzes Watt, Didi, Gogo, Oliver and others.
Keywords for this paper: Samuel Beckett; Waiting for Godot; Watt; Charles Dickens;
Oliver Twist; Thomas Hardy; psychoanalysis; object relations; paranoid-schizoid position;
depression; hopelessness; abandonmnent; eating disorders.Ping... in The Hitchhiker's Guide to the Galaxy (Earth edition). Yes, indeed, the Beeb now hosts a real Guide, naming it h2g2 and dividing its sections, as you might expect, into Life, The Universe and Everything. Here is a piece that fearlessly tries to explain a bit of Sam's challenging poem Ping, the first Beckett posting entered under Life / Books & Literature / Authors and Playwrights, written by this category's former Content Producer, Smij, when he was known as "Jimster". You, too, can contribute.
- Read Ping.
- Listen to a reading of Ping by blogger/wastrel Scoot. 8 min., 7 sec., 113 Kbps (requires broadband).
Beckett's Dying Remains: The Process of Playwriting in the Ohio Impromptu Manuscripts by Adam Seelig, poet, playwright, theatre director and founder of One Little Goat Theatre Company.
How Beckett struggled to write himself out of his texts, moving away from self preservation and toward self effacement.
Nothing is More Real: Experiencing Theory in the Texts for Nothing, by Paul Sheehan.
What kind of a theorist is Samuel Beckett, exactly? An artist of impoverishment, a theorist of the end of modernity or a mythologist of psychoanalysis, as three recent titles suggest. Sheehan examines one of Beckett's most overlooked works, the 13 prose fragments published, Sheehan says, almost out of desperation in 1955 as Texts for Nothing.
- Read Texts for Nothing #4.
- Listen to Jack MacGowran read Texts for Nothing #8.
Editing Beckett, by Stanley Gontarski in Twentieth Century Literature, 1995. An analysis of the inept editing and numerous publication blunders to which Samuel Beckett's work has been subjected.
Revising Himself: Performance as Text in Samuel Beckett's Theatre. How Beckett transformed himself into a producer/director/theatre artist. By Stanley Gontarski in the Journal of Modern Literature.
Beckett, openness and experimental cinema by Michael Schell.
The Joys of Cycling with Beckett by Friedhelm Rathjen, Scheeßel, Germany.
"Beckett's oeuvre is well known to be marked by bleakness and despair. If a bicycle
comes into play, however, there is always a light of hope, joy and even love in these texts."- More bicycles. A scholarly analysis by Janet Menzies.
Play Analysis. The True-Real Woman: Maddy Rooney as Picara in All That Fall, by Sarah Bryant-Bertail, University of Washington, Seattle.
Beckett Bethicketted. James Joyce's influences on Beckett — and visa versa. By Stephen Dilks, Univ. of Missouri Kansas City.
Samuel Beckett's (linguistic) exile: continuity through separation by Helen Astbury, Université Paris. Sam left Ireland, but Ireland didn't leave Sam.
Eavesdrop on the London Beckett Seminar where the participants had fun trying to dope out the literary references as they collectively read
How It Is
The Lost Ones
Embers
and Worstward Ho.
Essay on A Piece of Monologue by Hwa Soon Kim, Univ. of Inchon, Korea.
Read A Piece of Monologue.
Samuel Beckett: The Complete Short Prose, 1929-1989 Edited by Stanley Gontarski. Review by Paul West in The Bookery Bookpress.
Eleuthéria, Beckett's first play, written in 1947 (before Godot) and steeped in controversy.
A brief introduction from American Bookseller
Eleutheria Revisited, a 1997 speech by Marius Buning, past president, The Dutch Samuel Beckett Society, recounting the delightful story of the book that Sam didn't want published and the row over its translation into English, pitting Barney Rosset and Michael Brodsky against Jérôme Lindon. Prof. Buning sides against Brodsky, and gives an impassioned defense of the play, declaring it "worth having, worth studying, and — above all — worth seeing."
[ Index ]
Film starring Buster Keaton
- On Samuel Beckett's Film by Barney Rosset in
, a new publication which features “the best writers writing about what they are most passionate about” for people who are “tired of stuffy, staid literary magazines that go down like cough medicine.” Rosset recounts some fascinating details of the joys and agonies of shooting Film.
- Interview: Barney Rosset, founder of Grove Press and the Evergreen Review, talks to Tin House publisher Win McCormack.
On Directing Samuel Beckett's Film by Alan Schneider. A review: Some favorable comments ("The greatest Irish film") by Katherine Waugh and Fergus Daly in Film West 21, Ireland, 1995. Some unfavorable comments by Ted Sludds in the very next issue, 22: "Film...strikes me as being...a poor attempt by a genuine writer to move into a medium that he simply hadnt the flair or understanding of to make a success."
- Maybe Ted just didn't understand Film. Now (March, 2007) along comes blogger Dennis Grunes who explains it all and calls it "one of the greatest American films of the 1960's".
Brownlow on Beckett (on Keaton). Filmmaker Kevin Brownlow once talked with Sam about Buster. A review, of sorts, in Life Magazine, Aug. 14, 1964. A couple of nice stills of Buster. View Film Broadband required.
An analysis and discussion of That Time by Aaron Appel. That Time: A spotlit face is seen listening to its own voice emanating via loudspeaker from different points in the auditorium. The face itself never speaks, and its stage directions consist solely of blinking, breathing audibly and, at the very end, smiling.
Beckett's Fiction in Different Words by Leslie Hill. Reviewed by Alan Astro: "A lively study of incomprehensibilty".
Samuel Beckett (1906-1989). A tribute from Leslie Hill.
Magazine Littéraire
- Beckett, inconnu et inconnaissable, un bel article par John Montague dans n° 35, Décembre 1969.
Des librairies Initiales: Un Dossier: Samuel Beckett. Editorial / Beckett pour contre-attaquer / Un paysage disparaît / Commencement à toutes fins utiles / plus...
- Dossier II, de Radio France: Cycle Samuel Beckett sur France Culture. Présentation / émissions / la bibliographie / la web beckettien.
Beckett, un écrivain devant Dieu par Jean Onimus. "Nous remercions Jean Onimus, Professeur Honoraire de l'Université de Nice-Sophia Antipolis, d'avoir bien voulu mettre à la disposition de tous les agrégatifs, sur notre serveur, le contenu de son étude sur Beckett publiée aux éditions Desclée de Brouwer dans la collection Les écrivains devant Dieu en 1967. Cet ouvrage est en effet maintenant épuisé."De "France 3 en ligne": une biographie.
www.samuelbeckett.it il sito italiano dedicato a Samuel Beckett. Una brutta fissazione di Federico Fellini Platania, ma completo, impressionante e meraviglioso.
- La poesia di Samuel Beckett 18 poesie.
by Shigeru Ozawa.
Many, actually, very comprehensive Godot and Beckett pages in Japanese, and in addition:
日本サミュエル・ベケット研究会 Samuel Beckett Research Circle of Japan
The Pornographic Imagination in All Strange Away by Graham Fraser, Univ. of Reading, England.
Acting "at the nerve ends": Beckett, Blau, and the Necessary by Phillip Zarrilli, Univ. of Wisconsin.
Has Beckett's Existentialism any roots in Hegel's Philosophy? by Kenneth Knapman.
Pseud's Corner: Academicspeak
Michael Guest ![]()
Between Contiguous Extremes : Beckett and Brunonian Minimalism 32KBytes
An excerpt: The "rumour," as a minimal reduction of all discourse, speaks only of the logos, whose presence is affirmed, in a sense, to the extent that meaning is communicated by Beckett's text. But at the same time, the minimalist reduction of this idea, and its concretion in the "notion" described (both words are used to refer to the same thing), creates an opposite, circular form of reasoning that implies entrapment in a Wake-ian Purgatory of textuality: a pre-cogito, the "rumour," the "notion," speaks the precondition for its own being.Beckett and Foucault: Some Affinities 32KB Act of Creation in Beckett's Catastrophe 40KB
Steven Connor Slow Going 38KB
Robert Lukehart ![]()
Reflections on Samuel Beckett: The Subjective Imperative of Voice 42KB
Waiting for Godot: A Synchronicity of Opposites 9.3KB
Russell Smith Beckett, Negativity and Cultural Value 26KB.
A paper presented -- after lunch -- at the "Social Justice/Social Judgement" conference, Univ. of Western Sydney, Australia, Saturday, April 25, 1998. Mr. Smith has deduced that Beckett's writings are "a bitterly negative, anti-humanist and even misanthropic body of work".
[ Index ]Other Sites and Pages on Beckett
- A bibliography of Beckett's works.
- Samuel Beckett in the Nobel Prize Internet Archive
When Samuel Beckett's wife heard that he had won the Nobel Prize for Literature, she is said to have turned to him and pronounced simply: "Quelle catastrophe!"Award presentation speech by Karl Ragnar Gierow of the Swedish Academy
Ever see a Nobel Prize diploma? Impressive.
And here's the accompanying medal. Sam might have been pleased — or highly amused — upon reading its inscription.
Beckett Wins Nobel for Literature N. Y. Times, Oct. 24, 1969. Registration required.
Sam won six Village Voice Off-Broadway Theatre Awards ("Obies") but he probably never attended the award ceremonies in New York and he definately didn't appear at any of the pre-ceremony cocktail parties.
- From
: Beckett facts
87 (of an anticipated 100) nicely illustrated fact pages about Sam, his writings and his opinions about Life, the Universe and Everything, many in groups of ten. Here's a few of those:Links to all the facts are on this page. A marvelous work of investigative blogging by “Percy Puthwuth”.
- #72: Ten classical references in Beckett
- #56: Ten diseases in Beckett
- #40: Ten Dante references
- #77: Ten horses or other vaguely equine quadrupeds
- #52: Ten dogs
- #73: Ten mistakes
- #15: Ten obscure texts written by Beckett
- #64: Ten examples of Beckett's “strangely spermatic imagination”
plus several more.
presents... over 200 quotations by Sam, and from his works, from "the largest database of quotations ever published and representing the research of 154 experts". Here's a couple (#6154 and #6176):
“It's my dream. A world where all would be silent and still,
and each thing in its last place, under the last dust.”
-- Clov, in Endgame.
“Use your head, can't you, use your head. You're on earth. There's no cure for that.”
-- Hamm, in Endgame.- From buddhanet.net, the original buddhist information & education network. Snippets from various Beckett works that Buddhists evidently relate to.
Think reprehensible. Apple's Samuel Beckett ad unsavoury at core by Vit Wagner in The Toronto Star.
- Apple is also unfriendly to the environment, according to Greenpeace.
- How Beckett Was by Karl Orend in the Times Literary Supplement. Short – and generally favorable – reviews of four books by Beckett critics and/or "scholars":
- How It Was: A memoir of Samuel Beckett by Anne Atik
From the review: "The critical industry that has grown up around Beckett has reached epidemic proportions... Few critics seem to be aware that they might take a hint from the author himself, and his disdain for academic prose."
- Reading "Godot" by Lois Gordon
- Beckett's Eighteenth Century by Frederik N. Smith
- A Beckett Canon by Ruby Cohn.
- Relatively recent books
- The Philosophy of Samuel Beckett by John Calder. The first study of the thinking and influences which lie behind the philosophy that motivated Beckett's work. 17 out of 17 readers at Amazon.com found a review of this book to be "helpful".
Beckett in Black and Red: The Translations for Nancy Cunard's Negro, edited by Alan Friedman."Friedman demands a complete and utter revision of the position of Samuel Beckett, as a writer and a man, in this history of modern letters." —Jane Marcus
2 translations:
"Opens up a whole new view of Beckett. The strong mutual attraction between Beckett and Cunard may help explain the leftist political views he expressed both in these superb and long-neglected translations for Negro and elsewhere in his work." —Barney Rosset
- The Best Negro Jazz Orchestra by Robert Goffin
- Louis Armstrong by Ernst Moerman
- Samuel Beckett and the Arts: Music, Visual Arts, and Non-Print Media, edited by Lois Oppenheim. A "comprehensive presentation of Samuel Beckett's use of the musical and visual arts." Twenty essays and analyses, some by well-known Beckettians. Hardcover, 416 pages (according to Barnes & Noble -- Amazon says 389), $99. Read one essay.
- Brief book descriptions
- Directing Beckett by Lois Oppenheim
- The World of Samuel Beckett by Lois Gordon
- Reading Godot by Lois Gordon
- Book review: Conversations with Samuel Beckett and Bram van Velde by Charles Juliet. Reviewed by Mark Finch in contemporary visual arts, Britain, who refers to these conversations as "interviews".
- Two samples of Sam's somewhat illegible handwriting
deciphered and translated by Prof. Hans Hiebel, Graz, Austria.
- Another sample, a bit more legible.
- The first page of the Endgame manuscript, possibly typed by Sam, including — definately — his signature.
- Waiting for Beckett, an award winning television documentary from Global Village but given only a tepid review by Walter Goodman in the New York Times. (Other distinctly different opinions are voiced here.) Read additional comments by the producer/director or buy the video.
- Sir Peter Hall
looks back at the first performances of Godot in English, which he directed.
- Godotmania. Hall's reflections upon the 50th anniversary date. "Theatre has never been the same." The Guardian, Jan. 4, 2003.
More from The Guardian:
- Godot almighty I. Simon Callow, July, 2005: "On the eve of its 50th anniversary [English language] production, Simon Callow traces the influence of Samuel Beckett's masterpiece."
- Godot almighty II. Peter Hall, August, 2005: "Exactly 50 years after its premiere, Samuel Beckett's timeless masterpiece can still transcend all barriers and nationalities."
- 16 questions of a theological nature that preoccupied Jacques Moran in Molloy (pp. 166-7).
- How one person researched, produced and directed a performance of Endgame. Seven phases, 46 very short pages which could stand a bit of proofreading. A master's thesis by Leon Ingulsrud, theatre artist.
- Read about The Old Tune, performed by the Tübingen, Germany Anglo-Irish Theatre Group. Amusing, but not pure Beckett.
Listen to the Gare St Lazare Players radio dramatization on RTE.
- Company on stage at Williams College, by Lawrence Graver
- Interactive Beckett (real, not virtual), from no less than The Royal Shakespeare Company.
Virtual (not real) Beckett. Play as seen through i-glasses. We must be in Kansas (at the University).
- Waiting for Godot in various modes by "Richard Harter, Human Being?". Commentaries on Godot by: a preacher; Marxist; Freudian; pseudo-intellectual; feminist; evolutionary psychologist; Zen Buddhist; and deconstructionist.
- Amazon.com Customers' Comments about Waiting for Godot.
Avg. Customer Review:Number of Reviews: 153 (as of March, 2007)
One entire review by a reader from Newark, New Jersey: "If Read Properly... This Book Will Save Your Life".
- Striking – mostly – scenes from shorter plays: Act Without Words 1; Act Without Words 2; Breath; Come and Go1; Come and Go2; Eh Joe!1; Eh Joe!2; Footfalls; Ohio Impromptu; Play1; Play2; That Time; Not I; Rockaby; Rough for Theatre 2; Ghost Trio; Quad II; Catastrophe; All Strange Away (monologue); Happy Days; Krapp's Last Tape; and Endgame.
- Images (not "portraits", but "identities in motion") of Sam by artist Louis Le Brocquy in 1987, again in 1987, 1989, 1992 and 1994. Really striking.
"Ever tried. Ever failed. No matter. Try again. Fail again. Fail better." David Levine tries in 1964, 1967, 1971, 1978, 1981 and 1986. Does he fail better? You decide.
- David! Look at these. Then maybe try again. (Not that he isn't capable. Here's some superb successes.)
[ Index ]
- The Samuel Beckett Endpage
A comprehensive Beckett site devoted to the author and his works. Many interesting pages including:
- A photo gallery
- A short biography
- Timeline A chronology of his life and works in the context of his times.
- Beckett on Stage Current and upcoming productions, world wide.
- The Beckett Bulletin Board -- A Miscellany of News and Inquiry.
- The official page of The Samuel Beckett Society
- And much more.
- The Dutch Samuel Beckett Foundation
and Het Beckett blad (The Beckett Sheet), its semi-annual Newsletter.
- The Maison Samuel-Beckett Association
An association created in 1997 for the purpose of purchasing the house in Roussillon where Beckett lived during World War II and opening it to the public as a cultural center and a "Writers Home".
- Forums, Discussions, Blogs
Yahoo eGroups beckettlist mailing list. After a slow start, this one is now becoming the most interesting forum. It's basically a medium of exchange for people already conversant in Beckett, and if you register (free) and subscribe you can receive all communicants' messages by email and send them your own ideas. Otherwise you can just read what others have to say most recently or archived.
- Caution: This Group is occasionally deluged with spam.
- Here's another Yahoo Beckett group, Samuel Beckett DialogNet, that hasn't yet been discovered by the spammers nor, unfortunately, by hardly anyone else. 32 messages in seven years. To even read the messages you've got to have a Yahoo ID and be approved for membership by the group "owner".
- Perhaps because it got a late start, the
Samuel Beckett group has never quite caught on, the postings still numbering fewer than ten. On the other hand...
- The Samuel Beckett
provides thousands of links to blogs in at least 43 languages.
Caution: Occasionally most (but not all) blogspot.com postings are Splogs (spam blogs). If the link description and blogsite name is meaningless jibberish, it's spam.
Waiting for Godot colorful message board.. 174 threads, hundreds of messages dating back to 2001.
- The New Café Literature Conference Samuel Beckett topic. Registration required to even have a look at this moribund board.
- Color coded essays and research papers, many quite good, from (so help me)
.
Red essays: Free. Orange Yellow Purple Blue Aqua Green essays and papers: Not free, each color being better than the previous one, culminating with Green: “Research Paper” (formerly “Fantastic Essay”).
- Full list of Beckett related essays.
- Three of the lengthier Red essays:
- Technology and Ethics as Depicted in Beckett's Waiting for Godot and Vonnegut's Slaughterhouse Five
- Waiting for Godot
: Clear Criticism of Christianity. This was borrowed from The parallels between Christ and Lucky, a link posted in the Papers on Beckett section, above. It originally appeared — and was promptly removed from — here.
- Comparing Synge’s Riders to the Sea and Beckett’s Endgame
Waiting for Godot Online Study Guide. Click on the Act I and Act II topics to view Summaries and Commentaries. "Cliff Notes™ cost money but SparkNotes are FREE".
- Sparknotes Endgame Study Guide
- Sparknotes Happy Days Study Guide
Literature Guides
eNotes are content-rich study guides that include an introduction to the work, an author biography, a plot summary to help readers unravel and understand the events in the work, and stuff like that. eNotes cost money.
Waiting for Godot $9.95
Krapp's Last Tape $7.95
Endgame $7.95
Dante and the Lobster $7.95
- Lecture time at
: English 2302, Lesson 6: Waiting for Godot. Study these notes and then write an essay (but "avoid plot summary").
- Still confused? Why not enroll in a one year, full time M.A. course in Beckett Studies at the University of Reading, England. Requires writing a 20,000 word dissertation and taking a viva voce examination.
The Beckett International Foundation at the Univ. of Reading
.
- The Beckett Collection at the Univ. of Reading. Over 750 books and documents.
- First click on Quick Login.
- In "Search Options" box, click on "Author/Title Search"
- Enter Samuel Beckett in "author" space
- For library: Select "Search Special Collections Service"
- For language: Select ANY, English or another
- For material: Select ANY, printed text or another
- For collection: Select "BECKETT"
- Click on Search
- Are you a Beckettian? If so, you should have no trouble correctly answering at least ten of The Guardian's twelve multiple choice quiz questions about Sam and his works. Fill in the answers, then either click on Submit or view the correct answers here. 2003.
- Here's a second (centenary) quiz from The Guardian. This one's even easier than the first. Answers.
- Answers to
20-question Beckett quiz (one of which is wrong, and another questionable). The winner's choice of books was Samuel Beckett and the Arts edited by Lois Oppenheim.
Beckett the first class cricketer. He was an opening left hand batsman and left arm medium pace bowler, and once went wicketless for 64 runs.
Sam in Heaven? Oil painting by Brian O'Toole of 1920's cricket pitch scene.
Sam as Palliaci? Pastel painting by Moya Acton
Godot parodies
Waiting for the Unknown
Waiting for Gatchaman
Waiting For Krapp
Waiting for 501
Waiting for Sam
Still Waiting
Waiting for Godot Pastiche
Waiting for the Toad. Didi's and Gogo's alter egos guest star in
"Waiting for Godot", performed by the Guinea Pig Theatre (2 min. 24 sec.).
Flash animation. Download Flash player
"Since guinea pigs excel at waiting (among other things),
who better to bring this masterpiece to life than Guinea Pig Theater!"
- Samuel Beckett as Inspiration
- to the Oregon State Archives
.
- to a South African management consultant firm.
- to an artist, Marc Snyder, who perceives Godot as Nightmare
- to the composer, Michael Mantler, who was especially impressed by Watt.
- to Jim Poyser, Zeitguy, who sat down and composed a satire of culture and journalism, Just Ask Buckett.
- to Francis Warner, who established The Oxford Samuel Beckett Theatre Trust.
- The 2003 Theatre Trust Award winner.
- The 2004 Theatre Trust Award winner.
- The 2005 Theatre Trust Award winner.
- The 2006 Theatre Trust Award winner.
- The 2007 Theatre Trust Award winner.
- The 2008 Theatre Trust Award winner
- to the whimsical administration of St. James's Hospital, Dublin, naming their psychiatric ward after Sam.
- to the city Fathers (and, presumably, Mothers) of Dublin who have decided to name a new bridge after Sam. Anticipated completion is in 2008, and there will probably be a plaque honoring him placed near the base of the bridge. However Sam's famous tribute to Ireland, which he related to a friend when he departed for France in 1940, will probably not be included in the text: "I'd rather live in a France at war than an Ireland at peace."
- Ireland, right up to the present day, has maintained a Censorship of Publications Board.
- Here are some of the many authors who have been banned in Ireland over the years, Sam amongst them, of course. And here is a list of individual books and magazines which the censors haven't liked very much. Finally, a book on films focuses on the 1920-70 period when Irish censors banned 3,000 films and made cuts to an additional 10,000.
- Any information or counselling regarding abortion still cannot advocate encouraging or promoting it. Violators are subject to a fine not exceeding £1500 (€1900). However any such information involving anti-abortion advocacy is perfectly legal.
EPISODE 7: SAMUEL BECKETT, YOUR RIDE IS HERE
Sci Fi audio drama, featuring Bill Irwin as Carlyle & John Turturro as Benjamin.
Click on Hi Fi (56 Kbps) or Low Fi (28 Kbps). 23 minutes. Quite good.
- cookies
- merde
- THE GIST OF IT, a publication of anyman.com Sam played out his endgame just before the Coming of the Internet, but here's a page that might have brightened up his day.
Sam's dog, a Kerry Blue terrier, allegedly the breed of dog referred to in Krapp's Last Tape.
- Sam's car
A 1963 Citroen 2CV, the beloved French "people's car" (called "Deux Chevaux", Two Horses, in France). Originally advertised on the Internet on Oct. 12, 1998, but has now been sold. Don't feel bad, it was obviously "not cheap".
- From the
Shop, Shrewsbury, New Jersey.
- A 5 inch bronze bust statue. $40.
- Beckett's Dublin Beer. No comment.
Excerpts from each day's diary entry, from October 2 to December 4, 1936, can be found beginning here. (Oct. 3 & 4 are missing.) Each page also contains a brief annotation in English, plus thumbnails of mostly pre-war photos of Hamburg that can be enlarged by clicking. To go to the next or previous date, click on the left or right arrow of
Samuel Beckett's Hamburg Diary, October-December, 1936
From the » Beckett in Town « website: The posthumous discovery of Beckett's "German Diaries 1936/37" brought to light that he had a fairly substantial connection with Hamburg, and as a young man on educational travels, heobserved the city's cultural and political goings on from early October to early December 1936.
In his diary, he recorded all of his visits to the Hamburger Kunsthalle (Arts Center) and he commented on the increasingly restrictive national-socialist [Nazi] culture politics in artistic circles, as experienced by the "Hamburg Secession" group which was already forbidden in 1936. It was thanks to private contacts that he gained access to the closed-off sections of the Kunsthalle and the Museum für Kunst und Gewerbe (Museum of Art and Trade). He was further confronted with national-socialist ideology in everyday life, on his walking tours through the city, in the boarding house, listening to the radio, reading the newspaper and while drinking his evening beer.
, or to proceed directly to a particular date, click on that date at the bottom of the screen. Attempting to improve his German, Beckett wrote many diary entries fully or partially in that language, but here the supplementary annotation always supplies clarity.
[ Index ]Wikipedia / Beckett Interviews
"This article is on the writer Samuel Barclay Beckett (April 13, 1906–December 22, 1989). For [Dr. Samuel Beckett], the fictional scientist, see Quantum Leap".
Other Wikipedia Beckett sites:
- The Hapless Dilettante News The Samuel Beckett Interviews
[ Index ]On-line Texts
Some posted without explicit permission.
Act Without Words.
Graphics by Kristina Pugliese, Illinois State Univ.
- Act Without Words II
- Breath ("Inspiration" = Inhalation, "Expiration" = Exhalation)
Londoners gasp at Beckett's 35-second play by Paul Keller, Reuters.
- Catastrophe
- Come and Go
- Eh, Joe
- Fizzle 3 and Fizzle 4
- Texts for Nothing #4
- Imagination Dead Imagine
- Lessness
- Here's one example of why scholars and intellectuals — in this case a computer scientist and a student of English and International Affairs — are drawn to Sam:
Lessness: Randomness, Consciousness and Meaning by Elizabeth Drew and Mads Haahr, Trinity College, Univ. of Dublin.
From the abstract: "Lessness is a prose piece in which Beckett used random permutation to order 60 sentences... and is comprised of two of the approximately 8.3 x 1081 possible orderings of these sentences. The authors have developed a web site that generates versions of Lessness, exploring the effects of the capabilities of computing in the creation and exploration of art."
Keywords: chaos, randomness, Samuel Beckett, postmodern fiction, permutation, consciousness
- Sing (or hum) a bit of Lessness along with the Andy Laster Quartet, who have captured "something of Beckett's...obtuse, oddly-vaudevillian humor".
- Not I
- A Piece of Monologue
Listen to Ronald Pickup read it. (128 Kbps broadband)
- Play
- Stirrings Still
- Company (excerpts)
- The sucking stones sequence from Molloy.
"An activity which, in Beckett, is not so meaningless as it first appears; it involves thinking about
life, about order and chaos — and the everlasting human longing to escape entropy."
- The "conceptual writing" in Watt. Footwear, movements around the room, and furniture positions including chairs.
- Poems
GNOME
(1934)Spend the years of learning squandering
courage for the years of wandering
through a world politely turning
from the loutishness of learning.Neither
what would I do without this world
Dieppe... I would like my love to die
Cascando [Beckett later used this name for a radio play he wrote.]
and the rain to be falling on the graveyard
and on me walking the streets
mourning the first and last to love me.Apprehensions of Reality by Elmer G. Wiens, Univ. of British Columbia. Read an engrossing comparison of "Cascando" with the poetry of T. S. Eliot, in particular his "Burnt Norton", both poets expressing a desire for love and union, albeit of differing types.
Echo's Bones
The Vulture / Enueg I / Enueg II / Alba / Dortmunder / Sanies I / Sanies II
Roundelay
Serena I / Serena II / Serena III / Malacoda / Da Tage Es / Echo's Bones
Ping
Ooftish
One evening (Prose poem)
What is the Word. Sam's very last work.
- Two texts, nicely parsed and punctuated by Colin Greenlaw:
- The Unnamable The last sentence.
- Most of Worstward Ho. The original, interspersed with Colin's "elaborated version...a guide to a beautiful but complex narrative."
Brief review in The New Yorker (1984)
- Krapp's Last Tape
- Endgame
- Waiting for Godot
Act 1
Act 2
To both read and listen to a fine, two-part live staged reading of Act 1 by the Stratford Festival players as recorded and broadcast by CBC Radio, click here. Pozzo is superb.
Annotated version by Penelope MerrittIf you don't own any books by Beckett, acquiring this "classic tragicomedy" is one of the best ways to get started. In the U.S., the Grove Press paperback edition can be ordered online by clicking here:
($10.40) or here:
($11.70).
Losigkeit (Lessness)
Weder (Gedicht)
Was würde ich tun ohne diese Welt (Gedicht)
Sechs Gedichte
Endspiel
que ferais-je sans ce monde (poème)
Bing (poème)
Due poesie: cosa farei senza questo mondo / Nel morto d'una notte.В Ожидании Годо Waiting for Godot
Моллой Molloy
Мэлон умирает Malone Dies
ПОСЛЕДНЯЯ ЛЕНТА КРЭППА Krapp's Last Tape
ВСЕ, ЧТО ПАДАЕТ All That Fall
Уот (перевод на украинский) Watt
Belarusian
У чаканьні Гадо (Waiting for Godot)
ДЗЕЯ ПЕРШАЯ
ДЗЕЯ ДРУГАЯ
Polish
Czekajac na Godota (Akt 1 tylko)
Hungarian
Krepp utolsó szalagja (Krapp's Last Tape)
Basque
Godoten esperoan
Azkenburuko bulkadak (Stirrings Still)
Español
El Expulsado
El Final
Esperando a Godot
Molloy
Malone Muere
Compañía
Textos para Nada (1)
Una tarde (One evening)
Sobresaltos (Stirrings Still)
Korean
Waiting for Godot
[ Index ]On-Line Bookstores
- Amazon/Borders
- Books by Beckett
- Books about Beckett.
Amazon.fr: Livres en français
- Barnes and Noble
- Books by
- Books about
- Powell's Books
- Books by
- Books about
- Calder Publications
A brief personal memoir, followed by a list of books published by Beckett's friend, John Calder, some of which are available nowhere else. Included in this list are Beckett Shorts, a series of twelve shorter writings, the best known being First Love, Worstward Ho and Three Novellas (The Expelled, The Calmative and The End). All twelve are available individually or together as a boxed set. All have covers with photographs of Sam caught in different moods.
- Review (favourable) of Beckett Shorts by Nicholas Lezard in The
- On the other hand, Christopher Ricks in The Guardian takes a very hard look indeed, at the new Calder book, "Samuel Beckett: Poems 1930-1989".
W. H. Smith ("At the frontiers of technology and customer service").
- Books by.
- Books about.
[ Index ]Film
and Video
The Beckett Film Project. A new filming of all 19 plays, starring Jeremy Irons, Julianne Moore, Barry McGovern, Harold Pinter, John Gielgud (in his last acting appearance) and others. The entire program of films is being shown on Britain's Channel 4 and on RTE in Ireland (the co-producers), and has now been released as a boxed video set.Channel 4's Beckett on Film website. A lovely, comprehensive site encompassing dozens of pages including a brief critical introduction to the plays, a chronology of Beckett's life, information about the origins of the project and the films' producers, synopses about each film and stills and clips from the films. Quite impressive.
The boxed set is now available for purchase, all 19 plays on four DVDs.
- In the UK/Ireland from Amazon.co.uk, £85.
- In the US from Documentary-Video or Ambrose Video, $150.
Price includes public perfomance rights. Perhaps less if purchased for private viewing.
![]()
On videocasette and DVD
- Four are individually for sale from Canada on DVD and VHS NTSC.
- Waiting for Godot DVD/VHS. $30 US.
- Endgame DVD/VHS. $28 US.
- Krapp's Last Tape VHS. $27 US
- Happy Days VHS. $27 US.
Beckett goes to Hollywood by Tillmann Allmer in The Observer, Nov. 19, 2000. An excellent summation of the entire project that follows an unfortunate headline, given the fact that none of these plays were filmed in Hollywood. Indeed, one (Happy Days) was shot outdoors on a volcano in the Canary Islands.
Stardust Melancholy. Jonathan Kalb asks: Does the filming of Samuel Beckett's complete works compromise his theatrical legacy? On the Theatre Communications Group website.
Blobs, babble and blackness. Adrian Searle is overwhelmed by Comedie (Play). In The Guardian, Dec. 9, 2000.
Short reviews of several of the films by Liam Lacey in the Toronto Globe and Mail, Sept. 15, 2000.
has evidently given permission for at least six of the Beckett on Film plays to be uploaded to its website. View each and every one here...while they remain available:
Other Beckett YouTube videos include Film, and Not I (featuring Billie Whitelaw's mouth, 1973). They can all be accessed here for viewing.
- What Where Part 1 Part 2
- Play Part 1 Part 2
- Ohio Impromptu Legendado em Português
- Act Without Words 2
- Come and Go
- Breath
- Clip: 57 seconds from Waiting for Godot. Somber lament by a confused Vladimir (Barry McGovern).
- Damned to Fame...with Love. A five minute video tribute to Sam by Joanna Oliveira ("GalaSmile"), Portugal.
- Evergreen Review videos
- On VHS: Film, and Waiting for Godot (the version with Zero Mostel and Burgess Meredith, 1961)
- View 45 seconds of Pozzo's famous (and here a bit melodramatic) exit from Godot, Act 2. From an as yet unidentified video. Requires broadband.
- Happy Days
A video of the original airing of Happy Days, June 25, 1980 on WNET/13, New York, in their Great Performances series. Distributed by The Broadway Theatre Archive.
Starring Irene Worth as Winnie and George Voskovec as Willie. Directed by David Heeley and produced by Joseph Papp. DVD, 90 minutes, color. $24.95.On DVD NTSC On VHS NTSC videocasette.
- From facets video, a non-profit media arts organization.
Krapp's Last Tape starring Jack MacGowran, about whom Beckett once said, "I didn't have to talk to him; I didn't have to direct him. He just knew." A 1971 recording. $59.95 VHS. (Or $49.95 here, DVD or VHS.)
View Beckett's most famous stage plays captured on film and converted to video, presented by the San Quentin Drama Workshop using Beckett's stage directions. Click here and wait patiently for the page to come up, then scroll down to one of six multiplex screens (film names are under each one) and click anywhere on that screen. (Don't click on the name.) Best viewed on an LCD monitor.
If archive.org tells you, "We're sorry... We may be experiencing technical difficulties and suggest that you try again later", you might try again later.In addition to the Beckett Directs Beckett videos, Film and the 1973 Billie Whitelaw Not I are included here and, unlike the YouTube versions, neither is split up into sect